Blackmagic Design發佈消息,多部暑期檔熱門大片均採用多款該公司產品完成製作。來自全球的攝影指導、視覺特效師和調光師一如既往借助Blackmagic Design以高專業水準打造精彩作品。

其中,以Blackmagic數位電影攝影機完成場景和特技畫面拍攝的大片包括《瘋狂的麥克斯:狂暴之路   台灣翻譯為:瘋狂麥斯憤怒道》和《復仇者聯盟2:奧創紀元》;以Fusion Studio打造畫面合成並創作動作戲畫面的大片包括《女間諜  台灣翻譯為:麻辣賤諜》和《刺客學妹》;而以DaVinci Resolve完成調色的影片則包括備受矚目的《明日世界》和《舞力麥克:尺度極限XXL》。

• 《5 Flights Up》、《舞力麥克:尺度極限XXL》以及《瑞克和閃電》由Harbor Picture Company公司的Joe Gawler採用DaVinci Resolve完成調色;
• 《復仇者聯盟2:奧創紀元》由攝影指導Ben Davis選用多部Blackmagic Pocket Cinema Camera完成影片的特技場景拍攝;
• 《刺客學妹》和《女間諜 台灣翻譯為:麻辣賤諜》由Flash Film Works公司的Jeremy Nelson採用Fusion Studio完成畫面合成;
• 《最好之敵》由Different by Design公司的Andrew Balis採用DaVinci Resolve完成調色;
• 《少女日記》和《愛與慈悲》由Company 3的Tom Poole採用DaVinci Resolve完成調色;
• 《樂高積木世界》由調色師Chad Herschberger採用DaVinci Resolve完成調色;
• 《瘋狂的麥克斯:狂暴之路》由攝影指導John Seale選用多部Blackmagic Cinema Camera完成影片部分場景拍攝;
• 《破碎之角》由Color Collective公司的Alex Bickel採用DaVinci Resolve完成調色;
• 《成果》由TBD Post公司的Brandon Thomas採用DaVinci Resolve完成調色;
• 《西部慢調》由攝影指導Robbie Ryan採用Blackmagic Pocket Cinema Camera完成部分場景拍攝,並由Goldcrest Post公司的Rob Pizzey採用DaVinci Resolve完成調色;
• 《橘色》由Different by Design公司的Luke Cahill採用DaVinci Resolve完成調色;
• 《聖誕夜驚魂》由Wildfire Finishing公司的Andrew Balis採用DaVinci Resolve完成調色;
• 《通宵》由Wildfire Finishing公司的Aaron Peak採用DaVinci Resolve完成調色;
• 《明日世界》由Company 3的Stephen Nakamura採用DaVinci Resolve完成調色。

 

原文新聞稿

Blackmagic Design Products Used to Complete Some of the Summer’s Biggest Films
Fremont, CA - June 24, 2015 - Blackmagic Design today announced that a variety of its products were used on some of the summer season’s biggest blockbusters and most anticipated films. DPs, VFX artists and colorists around the world continue to rely on Blackmagic Design to help deliver professional results.

Blackmagic digital film cameras were used to shoot scenes and stunt work in blockbusters such as Mad Max: Fury Road and Avengers: Age of Ultron. Fusion Studio was used for compositing and to help create action sequences for Spy and Barely Lethal. And DaVinci Resolve was used to grade highly anticipated films such as Tomorrowland and Magic Mike XXL.

5 Flights Up, Magic Mike XXL and Ricki and the Flash were graded by Joe Gawler of Harbor Picture Company with DaVinci Resolve;
Avengers: Age of Ultron DP Ben Davis used multiple Blackmagic Pocket Cinema Cameras to film stunt scenes;
Barely Lethal and Spy were composited by Jeremy Nelson of Flash Film Works with Fusion Studio;
Best of Enemies was graded by Andrew Balis for Different by Design with DaVinci Resolve;
Diary of a Teenage Girl and Love & Mercy were graded by Tom Poole of Company 3 with DaVinci Resolve;
Lego Brickumentary was graded by Chad Herschberger with DaVinci Resolve;
Mad Max: Fury Road DP John Seale used Blackmagic Cinema Cameras for select scenes;
Manglehorn was graded by Alex Bickel of Color Collective with DaVinci Resolve;
Results was graded by Brandon Thomas of TBD Post with DaVinci Resolve;
Slow West DP Robbie Ryan used Blackmagic Pocket Cinema Camera for additional shooting, with color grading done by Rob Pizzey of Goldcrest Post using DaVinci Resolve;
Tangerine was graded by Luke Cahill of Different by Design with DaVinci Resolve;
The Nightmare was graded by Andrew Balis of Wildfire Finishing with DaVinci Resolve;
The Overnight was graded by Aaron Peak of Wildfire Finishing with DaVinci Resolve;
Tomorrowland was graded by Stephen Nakamura of Company 3 with DaVinci Resolve.
Press Photography

Product photos of Blackmagic Cinema Camera, Pocket Cinema Camera, Fusion Studio and DaVinci Resolve are available at www.blackmagicdesign.com/press/images.

 發布時間:2015年7月2日

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